Affichage des articles dont le libellé est interview. Afficher tous les articles
Affichage des articles dont le libellé est interview. Afficher tous les articles

vendredi, janvier 21, 2022

Posted by Frédéric Raoul On vendredi, janvier 21, 2022


Aujourd'hui, nous avons le plaisir d'accueillir l'étoile montante de la sculpture!

Today, we are pleased to welcome the rising star of sculpture!

- Salut Denis ! / Hi Denis!

- Parles nous un peu de ton parcours, et qu’elles sont les origines de ton envie de sculpter ?

- Je dessine depuis toujours. Très jeune, j'ai suivi mon frère dans sa passion pour le wargame et notamment dans son côté modélisme, nous étions très enclins à la fabrication de décors, à la conversion,... Plus ça allait, plus mon envie de créer, de façonner, prenait le pas donc un jour, j'ai passé le cap et j'ai entamé une sculpture complète. Certaines gammes et figurines m'ont toujours vendu du rêve, donc je voulais en faire de même.

- Tell us a bit about your background, and what are the origins of your desire to sculpt?

- I've always drawn. Very young, I followed my brother in his passion for the wargame and in particular in his modelism side, we were very inclined to the manufacture of decorations, to the conversion, ... The more it went, the more my desire to create, to fashioned took the step so one day, I passed the course and I started a complete sculpture. Certain lines and figures have always sold me dreams, so I wanted to do the same.



- Il y a encore quelques mois, tu réalisais des sculptures personnelles. Maintenant on te voit de plus en plus sur des projets professionnels. Comment équilibres-tu ton activité ?

- C'est vrai que depuis quelques temps, je fais pas mal de commandes, et tant mieux pour moi (je touche du bois), je veux vivre de mon activité de sculpture et c'est un bon moyen d'y parvenir. De plus, ce qu'on me demande de réaliser sont des projets qui me plaisent donc cela me va très bien, mais je pense revenir qd même quelques fois avec des projets plus perso tout de même dans l'avenir. 

- A few months ago, you were making personal sculptures. Now we see you more and more on professional projects. How do you balance your activity?

- It's true that for some time now, I've been doing a lot of orders, and so much the better for me (I touch wood), I want to make a living from my sculpture activity and it's a good way to achieve it. In addition, what I am asked to achieve are projects that I like so that suits me very well, but I think I will come back even a few times with more personal projects in the future. 

- Tu es un passionné de l’univers créé par Rackham, quelles sont tes influences ?

- Oui effectivement rackham est indéniablement l'une de mes premières et importante influence, et donc toute la direction artistique est importante pour moi, plus particulièrement, Paul Bonner et Édouard Guiton. Mais ce ne sont évidemment pas les seuls, je peux citer, Jeremie Bonamant (dont j'ai beaucoup été voir le site internet et ses work in progress, pour m'améliorer) Allan Carrasco, Rémy Tremblay, plus récemment, Valentin Zak ou encore Boris woloszyn, que j'ai découvert vraiment récemment mais dont le travail me rend vraiment fou, et que je scrute beaucoup pour en apprendre le maximum.

- You are passionate about the universe created by Rackham, what are your influences?

- Yes indeed Rackham is undeniably one of my first and important influences, and therefore all the artistic direction is important for me, more particularly, Paul Bonner and Édouard Guiton. But these are obviously not the only ones, I can quote, Jeremie Bonamant (whose website I have visited a lot and his work in progress, to improve myself) Allan Carrasco, Rémy Tremblay, more recently, Valentin Zak or even Boris Woloszyn, whom I really discovered recently but whose work drives me really crazy, and whom I scrutinize a lot to learn as much as possible.

- Quel est, à ton sens, l’étape la plus importante de la création d’une figurine ?

- Un peu comme en peinture, il y a une étape de "sketching", ou l'on met en place les formes, volumes, les lignes, les tensions, etc avant de "nettoyer" et de plus rentrer dans les détails, je pense que la majeur partie de la réussite d'une sculpture se joue là. Cela comporte aussi la structure de base, qui doit être par conséquent soigné également.

- What do you think is the most important step in creating a model?

- A bit like in painting, there is a "sketching" step, where we set up the shapes, volumes, lines, tensions, etc. before "cleaning" and going into more details, I thinks that the major part of the success of a sculpture is played there. This also includes the basic structure, which must therefore be taken care of as well.

- Comment envisages-tu ton activité d’ici 10 ans ?

- Et bien pourquoi pas avec ma propre gamme ! À côté de cela, je fais de la sculpture plus "contemporaine" j'aimerais aussi développer cela. J'aimerais travailler un peu plus sur logiciel 3d (on va pas se mentir, ça permet pas mal de choses), j'aimerais bien, pourquoi pas, avoir une chaîne twitch. Et puis j'aimerais beaucoup  donner cours aussi.



- How do you see your activity in 10 years?

- Well why not with my own range! Besides that, I do more "contemporary" sculpture I would also like to develop that. I would like to work a little more on 3d software (we are not going to lie to each other, that allows a lot of things), I would like, why not, to have a twitch channel. And then I would very much like to teach too.

- Quelle est la réalisation dont tu es le plus fier ?

- Je dirais mon oni, surtout que le concept est de moi.

- What achievement are you most proud of?

- I would say my oni, especially since the concept is mine.


- Peux-tu nous raconter comment ça se passe, une collaboration avec un éditeur de figurines ?

- Très franchement, c'est assez simple (en tout cas pour ma part) l'éditeur vous contacte, vous propose de réaliser une ou plusieurs pièces, vous convenez d'un prix et c'est parti. Si c'est votre concept, ça peut être un peu plus complexe, pour des raisons de droits d'auteur, mais c'est assez rare en général on vous contacte avec un concept bien clair.

- Can you tell us how it goes, a collaboration with a figurines editor?

- Quite frankly, it's quite simple (at least for me) the publisher contacts you, offers you to make one or more pieces, you agree on a price and let's go. If this is your concept, it can be a bit more complex, for copyright reasons, but it is quite rare in general we contact you with a very clear concept.



- Aurais-tu des petits conseils pour ceux souhaitant se lancer dans la sculpture ?

- Oui bien sûr ! Alors, bien comprendre l'anatomie, c'est indispensable, nous faisons des personnages, on est obligé de passer par la. Pour commencer vous pouvez, travailler sur un personnage à l'anatomie peut visible (en armure par exemple), cela n'empêche pas de s'exercer en début de réalisation sur l'anatomie et en suite la recouvrir. J'ai passé énormément de temps à travailler sur l'anatomie du figurines qui allait être recouverte, pour m'exercer. Ensuite, je dirais que recopier est une excellente méthode d'apprentissage, n'hésitez pas ! Enfin, beaucoup observer, de manière générale, les artistes qui vous plaisent, quand vous voyez une forme intéressante, un drapé,...

- Do you have any advice for those wishing to embark on sculpture?

- Yes of course ! So, understanding the anatomy is essential, we make characters, we have to go through it. To begin with, you can work on a character whose anatomy can be seen (in armor for example), but this does not prevent you from practicing the anatomy at the start of the process and then covering it. I spent a lot of time working on the anatomy of the figurines that were going to be covered, to practice. Then I would say that copying is a great learning method, don't hesitate! Finally, observe a lot, in general, the artists you like, when you see an interesting shape, a drape, ...

- Aurais-tu la gentillesse de nous montrer ce qu’il y a sur ton atelier en ce moment ?

- Would you be so kind as to show us what's on your workshop right now?

- Merci beaucoup et à bientôt !

- Thanks a lot and see you soon !


mardi, décembre 08, 2020

Posted by Frédéric Raoul On mardi, décembre 08, 2020



Aujourd'hui, nous accueillons une talentueuse peintre espagnole, Patricia Sancho!

Today we are pleased to meet an impressive spanish painter, Patricia Sancho.

- Bonjour Patricia!

- Bonjour Frédéric, enchanté de faire votre rencontre!

- Hi Patricia!

- Hi Frederic, nice to meet you!

- Pourrais-tu te présenter à nos followers? Quel est ton parcours dans la communauté de la figurine?

- Je suis juste une passionnée. J'ai commencé à peindre des figurines, comme beaucoup, par Games Workshop. C'était il y a 23 ans.
J'ai laissé le hobby un peu de côté pour me concentrer sur d'autres domaines artistiques. Et je m'y suis remis plusieurs fois depuis.
J'avais l'habitude de ne peindre que de petites échelles, (1/72, 25, 28 and 32 m, surtout du Games Workshop) jusque 2018. Alors j'ai commencé à peindre de plus grandes échelles et des bustes. J'ai également commencé à partager mon travail.


- Could you introduce yourself to our followers ? What is your path in the little community of miniatures ?

- I am just a hobbyist. I started to paint minis, like many other mini painters, when I discovered Games Workshop. That was 23 years ago.
I have set aside the hobby for other artistic concerns and then I have taken it up several times since then.
- I used to paint only small scale (1/72, 25, 28 and 32 mm, mostly games miniatures) until 2018, when I started to paint bigger scales and busts and also I started to publish my paintjobs.

- Nous savons que tu es également designer (on peut voir de très beaux dessins sur ta page FB). Est-ce que cela est un atout pour la peinture de figurines?

- Je ne me suis jamais considérée comme une dessinatrice, ou comme un peintre, ou comme un designer, ou comme quelque sorte d'artiste que ce soit. Bien que j'ai été diplômée en Arts, tant que je fais cela sur mon temps libre, avec tant de niveaux de qualité.
Ceci étant dit, si je reviens sur ta question, oui, à chaque fois que j'apprend quelque chose sur le dessin, la peinture, ou le modelage, j'améliore directement ma peinture de figurines. Ces disciplines sont connectées. Chacune d'elle forge l'oeil et la vision artistique.


- We saw that you are a designer (there are some beautiful draws on your FB). Does it help you to paint miniatures?

- I never considered my self drawer, painter, designer or any other kind of visual artist, even I'm a Fine Arts degree student, as long as this is something that I do in my free time intermittently with so much different grades of qualities and quotes.
- But, going back to the point of your question, yes, I feel when I learn something about drawing, canvas painting or model clay I immediately improve my mini painting skills. They are connected disciplines. Each of them train the eyes and the artistic vision.


- Nous avons été très impressionnés par ton dernier buste "l'Eté". Quelle est l'histoire de ce chef d'oeuvre?

- Son histoire n'est pas si impressionnante. Le fait est que je voulais faire cela depuis longtemps. Ces ombres dessinées par une source extérieure à la scène. Je suis une amie de longue date de Pepa Saaverda, et quand elle m'a montré ce modèle, j'ai tout de suite pensé qu'il serait parfait pour cette idée. Cela s'est passé longtemps avant la sortie commerciale, ce qui fait que j'ai eu du temps pour sketcher, chercher des références, et réfléchir à comment le réaliser. Cela n'a pas résolu toutes les difficultés techniques durant la réalisation. Pepa était également impliqué dans la réalisation, en m'aidant à ne pas jeter la pièce par la fenêtre. Cela a été pour moi le projet le plus difficile, notamment à cause du manque d'exemples.

- We were very impressed by your last « summer bust ». What is the story behind this masterpiece ?

- The story behind is not too much impressive. The fact is I've wanted to do something like that (casted shadows from an out-of-scene source) for a long time. I enjoy a great friendship with Pepa Saavedra and when she showed me the model I thought automatically It was perfect for this kind of purpose. That happened time before the release so I had a lot of time to sketch, look for references and think how to pull it off, even that didn't avoid some technical solving issues during the procedure. Pepa was also involved in the execution, helping me to not throw the model out the window. This is the hardest project I did but I think It is only because the lag of references.



- Peux-tu nous donner quelques astuces pour obtenir ce type d'ambiance?

- Pour commencer, je dirai qu'il est important de faciliter le travail d'interprétation du cerveau en groupant les différentes sortes d'ombres. Tu peux obtenir ce résultat en utilisant la même forme et la même teinte pour une sorte d'ombre, et une autre forme, un autre ton pour un autre type d'ombre.
Ensuite, dans cet exemple, le contraste ombre et lumière a été obtenu par saturation - désaturation. Toutes les ombres ont été obtenues en utilisant des "gris chromatiques", le résultat obtenu par le mélange de couleurs prmaires avec leur complémentaire.
Enfin, la lumière générale doit s'accorder avec les ombres, puisque les ombres sont les conséquences de la lumière.

- Have you got some tips to manage this kind of shady atmosphere ?

- Firstly I would say It is important to facilitate brain interpretation grouping the different kind shadows. You could do it using the same shape and tone for one kind of them and other shape and tone for other kind of shadows.
Secondly, in this case, contrast between light and shadow was achieved by saturation/desaturation. All the shadows were painter using "chromatic greys", the result of mixing a primary colour with its complmentary colour.
Last, general lighting has to be according to the shadows, as long as shadows are a consequence of light.


- Qu'est-ce qui t'inspire dans les tendances actuelles?

- C'est vraiment une question très personnelle. La réponse en sera ainsi toujours subjective. Je ne connais pas suffisament la communauté de la figurine pour en connaître les modes. Mais chaque tendance a le potentiel d'inspirer quelqu'un. Dans mon cas, je n'ai jamais été portée par les modes. L'an dernier j'ai sérieusement commencé à étudier le corps féminin, et le nu artistique. C'était si difficile de trouver des modèles et références. J'ai alors commencer à chercher des modèles 1/6 ou 1/4, et même sculpté mes propres figurines, tant en digital qu'en traitionnel.

- What is the most inspiring current miniature trend ?

- This is a really personal question. The answer will be always subjective. I don't know the mini comunity enought to even know what is trending, but every trend has the potential to be inspiring to someone. In my particular case, I've never moved by trends. The last year I started to study seriously the female body and the female artistic nude and it is so hard to find models and references. So I started to look for 1/6 1/4 models and also I started to model my own figures (both traditional and digital).


- Tu n'hésites pas à utiliser de fortes zones turquoises ou vertes dans tes teintes de peau. Quel est ton conseil pour gérer cette technique?

- Je recommanderai ne ne pas avoir peur de salir la pièce. Ce sont juste des couleurs. Je vois si souvent sur insta des peintres utiliser des couleurs dingues partout, sauf sur la chair. La peau n'est pas différente. Souvent je joue avec les verts, les teintes roses, les bleus, les oranges... Ce sont des couleurs complémentaires. Elles ont l'habitude de travailler ensemble.

- You don’t hesitate to use strong turquoise or green areas on your skintones. What is your advice to manage this technical ?

- I would recommend to do not being always afraid about messing up the model. They are just colours. I usually see on insta a lot of painters using crazy colours everywhere except for flesh. Skintones are not diferent, I usually play with green on pinky flesh and blue with orangy flesh. They are complementary colour, they are going to work alone.


- Tout le monde a ce projet en tête, impossible à peindre. Le tien, c'est quoi?

- Celui que je ne peux pas m'offrir!

- Everyone got some « always in mind » masterpiece that we think impossible to paint. What is yours ?

- The ones that I can not afford
😂😂😂😂


- Pourrais-t-on avoir un petit aperçu de ton atelier? Sur quoi travailles-tu?

- Je travaille sur des études de rythme sur mon bureau. Aucun lien avec la figurine. Mais je garde un oeil sur les réseaux, et je publie tout lorsque je travaille sur un projet.

- Could you have a sneak peek on your work bench ? What are your working on ?

- I'm doing some rythm studies which are on my easel. Nothing related with miniatures world. But keep an eye on my social media, I publish all the procedure when I'm with a project.







dimanche, juillet 19, 2020

Posted by fig78 On dimanche, juillet 19, 2020


Hi Robert, many people who used to participate to miniatures events know you already but… Briefly, who are you Robert, and how do you take part in our hobby community?



I was born in Utrecht, The Netherlands in 1962, but have lived in Eindhoven for most of my life. I am married to Margot, who’s also active in our hobby for 6 years. Together we also lived a while in Hurghada, Egypt where we worked as Scuba Diving instructors. I am a purchaser in my professional life, and since 2017 I work for an online seller in pet food and supplies. Except for the period in Egypt, I have spent most of my professional career working as purchaser for various companies and in that capacity, I have travelled a lot in mainly in Asia, for many years.

As a kid, until I was 14 or so, I modelled airplanes, 1/72 scale from Airfix and Matchbox because I could afford them at the time. When I got older other interests and hobbies came, first football and when I was 18 I found myself playing music, bass guitar, in a band for a few years. 


Many years later, around 1996, I got back into the modelling hobby when I met Margot. She was helping her son with building a 1/12 motorcycle model and I was going through the Tamiya catalogue they had lying about and saw those awesome military dioramas by Verlinden and Japanese modellers inside. And I was hooked instantly. By that time, I could afford to buy 1/35th scale models, so that became my re-start into the hobby and I decided that making dioramas was the thing for me. However, after building military dioramas for 10+ years I also developed an interest for figure painting, probably due to my visits to Euromilitaire. So, every now and then I paint figures too. To me all kinds of miniatures are of interest, regardless of subject or era really.

I have to admit that I wasted too much time on reading too many articles, magazines and books about modelling instead of actually building something in the first year. And of course, I bought a million tools, paints and other stuff too without using much of them at first. 

Actually, nothing has really changed much, because whenever we get new members in our club, Scale Model Factory, I see them all fall into the same trap that I did.


Of course, Chestnut ink crew met you at the Scale model challenge a few years ago…. But then we never really asked you: How did this wonderful contest start? Could you tell us a bit more about its story?


Early 2007, I asked Roy Schurgers, a great diorama builder and now the man behind the DioDump company, if he wanted to start a club with me and so we did: Scale Model Factory. It must have been not much longer after that I suggested to him to do organize a show. 

Main reason for that was that both of us felt that our country could really do with a good show, as we shared the same opinion that shows in Belgium for example, were so much better, with a higher level of models on the contest tables, and especially with more and better trade than the shows in The Netherlands. The largest show at the time was the Dutch IPMS nationals, but IPMS was, and still mainly is, all about aircraft and little or nothing about AFV or figures. I forgot why exactly, but we decided to do our first show that same year, 2007.

Scale model challenge volunteers ! 

We also decided that our show should focus on military modelling and figure painters only, because all of the club members at the time were military AFV and diorama modellers, and because we thought it would be smart to stay out of the IPMS field of interest in a small country like ours. Having said that, we overlooked one thing: when searching for a date for the show we only considered the dates of two important Belgian shows that we always attended, and we decided for November, to make sure not to get in their way. We completely overlooked that the Dutch IPMS nationals would be less than a week later than our show. Anyway, the rest is history: the first show was pretty successful with lots of happy faces all around.

Not just an event, a great atmosphere 

It has always been our aim to bring a show that offers visitors everything they are looking for: a great, high level competition, lots of interesting trade stands, club stands, great atmosphere and a place to meet friends from all around the world. Until today there are many shows that have one or two of these aspects, but very few, if any, bring all aspects together like SMC does. I think that’s what makes it so special to many. Our pay off in the logo says: “making the difference”. I truly believe we do.


All along these more than 10 SMC editions, what has really changed for you?


The first 3 editions, 2007 to 2009 were held at a school, the Graphic Lyceum in Eindhoven, and the 2010 edition was actually also planned there. But after the school season started again that year, we found that a lot of what we planned in the months before was no longer possible there, so we switched venue only 6 weeks prior to the show and moved to our current location at the NH Eindhoven Conference Centre Koningshof. An obviously much more expensive location, but with many more opportunities for the future: more space, 500+ hotel rooms under the same roof as the expo halls, bars, restaurants and catering options and so on. We were a bit lucky they actually had the halls available at the planned weekend, of course. 

To give you an idea; the 2010 show was held in the three centre halls. For those of you who know the show: the hall where now the contest is located, then the centre hall where Chestnut Ink have their stand, and finally the hall where last year all the clubs were located. The 2010 contest was placed in the lobby where we have now placed our contest registration desks. So, everything, including the catering area, was all in those halls which is roughly 35% in floor surface of what the show was in 2019. 


But the biggest and most important step we made was, to move from a one day show to a two-day event in 2015, although 2015 can be considered a transition year. In order to attract more visitors, traders and clubs from abroad I always knew we had to move to a two-day event. What we did in 2015 was organize a special workshop event on Saturday in the Brabant hall (nowadays the SMC restaurant) while our team was building up the actual show that was still held only on Sunday. We had over 200 attendees for those workshops that were hosted by artists from Pegaso Models, Fer Miniatures, M. Kontraros Collectibles and of course for the scale modelling side we invited some really great names too, such as Jean Bernard André, Jay Laverty and José Luis Lopez Ruiz. 

The year after, in 2016, we had our first genuine two day show and maintained the workshops program, which is still a pretty successful formula. 

Jean Bernard Andre workshop 

We always had special guests doing demos or presentations during the show, but we also noticed through the years that attendance at the demos was declining and that most people have a hard time sitting down and watching such a demo. So, we decided to maintain the workshop program for dedicated visitors and we stimulated exhibiting companies to have ongoing demonstrations at their stands. It’s simple really: it attracts people to their stands, shows their products “in action” and people have the choice of watching the full demo or move along at their own liking and are much more at ease to ask questions. 

Speed painting party ! 

And maybe the most important change for me is that I have learned to keep things simple. I know this must sound strange, and “simple” is relative of course, but in the early days I tried to squeeze too much into the event, as I always wanted people to go home afterwards with the feeling they missed something making them come back for more the next year. I still want them to have that feeling, but there was a tendency of over-organizing the whole thing and now we make sure that the basics are firmly organized and the rest is sorted out by itself. For example: Roman Lappat once organized a basketball game in the Sports Centre of the venue, or like you guys from Chestnut Ink are organizing the speed painting contest at SMC. Just fun side events that contribute to the atmosphere of the show and that make a big difference.


Basketball session organized by Roman Lappat 


In July 2020, the world model expo was supposed to be held in place of the SMC in Eindhoven. That must have been a really big challenge for you guys… How did you plan organizing such huge event?


Besides of having the advantage of doing the event in the summer rather than in fall, there is more to it than meets the eye, and honestly, also more than we thought initially. 
Because none of us, me included, has ever attended another World Model Expo, we are approaching it in the same way as we do with SMC. After all, SMC is not a small show either. 
Previous Expos were organized by people that were, like us, also organizing an annual or bi-annual event, but these events were a lot smaller than SMC is, and that makes a huge difference. Our basic set up for SMC has become pretty familiar to all involved in the organization, so that’s a good start. Of course, we expect more attendees for the Expo than at SMC, so you have to think bigger and in larger numbers, and the show will run for three full days as it will start on Friday morning already. 
The extra day does not only mean shifting all preparation and build up one day, but you need a larger staff too. 
Shows like SMC are operationally run by volunteers who don’t mind spending a day or two days for the greater good, but finding staff for three days starts to become a bit trickier. So that’s why we have asked for external volunteers for various jobs on the website, and have also hired professional staff, for security duties for example.

And, as I mentioned before, we try to keep it relatively simple. The main focus is on the quality of the show itself: contest, trade, expo area and all the other ingredients we are familiar with at SMC. Side events are there, as required, but we are not a travel agency or a travel coach company, we do not own the hotel, and honestly many things that were necessary in the past for previous Expos are no longer necessary, or have become less important over time.

I mean, putting up a website, for example is quite a job. Having a website in 6 or 8 languages is a bit of an obsolete idea. We set the website up in English only, and anyone with a computer can have it translated, if they want, with one click. Maybe not perfect, but good enough to get the message across.


We made an exception for the contest rules and classes. Those were translated from English into German, French, Spanish and Italian and we added Dutch of course. 
Reason for doing this for the contest particularly, is to make sure that everybody understands that the way the contest at the World Model Expo is configured differently than at SMC or most other European shows, and why it is like that. 

For the World Model Expo, we also had to change the floorplan of the show considerably, compared to SMC. The contest area will double in size, and the restaurant/catering area needs to be significantly increased, using the outside area too. The commercial areas will be similar in total size than at SMC. We always have a large number of vendors at SMC already, and having more would not necessarily improve the quality. 

It all comes down to making sure that larger numbers of people can still move around and have a drink, lunch or snack comfortably and can do their shopping and watching the exhibited pieces.

Contest area 

One important goal we have, is to make the World Model Expo attractive for everybody. Every now and then I hear prejudiced and ill-informed opinions about World Model Expos, and I really feel it as a mission to transform that mind set. 
Where possible we keep costs low and transparent, although we realize that terms like “affordable” and “low” are arbitrary and much depending from person to person. 

We keep the admission fee separate from the contest fee, and, for example, decided not to include a “free” figure for contest participants in that fee. After all, you pay for such a gift yourself, in the end. We prefer that people can spent that money at the vendors stands, and on something they really want.

We also know that many scale modellers see it as a figure show, probably because the event is mostly praised by figure painters. I do not share that opinion. The 2014 Expo in Stresa, Italy for example, had a huge presence of scale models in the contest.

In any case, we said from the beginning that we want to make this a World Model Expo where scale modellers also feel at home. 

Always hundreds of wonderful projects 

Covid 19 has changed every aspect of our lives, including our favourite events and miniatures contests. A few month ago, you told everyone WME2020 will not happen at all in 2020. Can you please explain how this decision was taken and what the consequences were for the organizers?


Just for the record: we made our decision and announcement actually before our government put a ban on events.
The reason for making that decision was that it became very evident that this was not going to be a short-term pandemic, as many, including us, still thought it would be in February or even early March. Frankly speaking, I lost sleep thinking of an event with so many people in one place in the middle of a pandemic. Nobody wants to become a news item for being a source of many infected people, and that was the proverbial straw that broke the camel’s back.

In hindsight, deciding to postpone the event to 2021 was a good decision, also because shortly afterwards our government announced our lockdown, and all events were to be cancelled. Remarkably for me, I have come to peace with the fact and actually got more time to paint figures or work on some unfinished modelling projects. And I believe that the rest of our team feels the same way.

However, there is something that I would like to address. Lately I sense a sort of competition going on of which show is going to be the first one to start again after this Covid-19 horror is behind us. At this point in time (early July 2020), I really think this is not such a positive development. I watch this with interest, but also anxiously and with caution, simply because it isn’t over yet. By far it isn’t. Here in the Netherlands it seems to be pretty much under control at the moment and things are getting back to “sort-of-normal” slowly, but surely, but an event such as ours is still not possible or allowed. I really hope that the first show to open again will be a huge success, but I fear it is way too early yet, and it will be too early as long there is no vaccine or medicine. For a show it is nice to be ambitious, but I think safety and acting responsible is more important than ambition.


In 2020, WME2020 was supposed to replace SMC edition, finally world expo will be postponed to 2021, therefore there won’t be any SMC before 2022! How do you feel about that? What are the consequences for the organizers?


Because I was afraid that SMC would disappear into oblivion in case of a three-year gap (2019-2022), I discussed the options for an SMC 2021 after the World Model Expo with the rest of the organizers. The majority was all for it really, which was a very important thing for me. Without the others it would simply not be possible to do.
And there are many good reasons to do an SMC in 2021. But when you start to think about it, there are also at least as many reasons not to do it.
For me personally, it is a two-sided story, I worked very hard for 12 years to get SMC to where it is today (and so have the others in our team) : one of the leading events in our hobby. So, having to let it go for almost three years is hard to chew.
Then again, the success of an SMC largely depends on the attendance by a global audience. The number of Dutch visitors is actually less than the number of foreign attendees. I seriously doubt that the same group of people is able and willing to come to a similar event, in the same location, in less than 4 months twice. Pursuing an SMC in 2021 may cause a totally different feel and atmosphere, which is not something I’d like to be honest.

On the other hand: SMC is different from a World Model Expo. In the way the competition is set up, but also at the World Model Expo there is no room for club stands, at least not in the way clubs a represented at SMC. EXPO stands for: EXPOSITION. And I don’t want clubs to think that we are forgetting them for three years, because we really don’t. They largely contribute to the show’s atmosphere and success.

Clubs had a very good space at SMC

However, I think that the chance of having an SMC in 2021 is less than 5% at this moment. It is more likely that we will re-define the set-up of the World Model Expo next year and give it more of an SMC twist than we wanted to do initially. We still need to discuss this internally, but I believe that it is the best option.
I always say these are two separate events, but I hear from people from all over the globe that they see our World Model Expo as an SMC+ anyway. Maybe I should embrace that thought and see it as a benefit and put it to good use.

What you also need to realize is that every other show that previously hosted the World Model Expo experienced a serious decline in attendance the first regular show they did after their World Model Expo, and had to work long and hard to get back to their pre-Expo level in later years. I’m not so much worried about a long-term effect. Maybe even the first SMC after the World Model Expo will not see that decline in numbers that others have experienced. With SMC we come from a totally different position in the first place, but like I said before: three years is a long time. The good thing of this long “sabbatical” is that it gives us the time to evaluate the show so far, and how we can develop it further to keep it a top-notch show.

SMC crew giving medals to participants.

I think it is important to keep developing a show and to come with new ideas every time, to keep the interest going. Repeating the same trick year after year is not only boring to organize, but also for
visitors. Not that you need to make a 180 degree turn every show, but the world around us changes, the hobby changes, so you have to keep up with those changes.


In fact, is the WME host supposed to organize everything by themselves? Does anyone help you?


Yes, you have to organize things on your own, but I actually got a lot of good and useful information and advice from previous World Model Expo organizers. In that respect I would like to mention the people from Art Girona (Gerona 2008), Michel Zeller from Montreux (2011), Gaetano from Stresa (2014), Jim DeRogatis from the 2017 Chicago World Expo, and of course Bill Horan and Fabio Nunnari of the World Model Soldier Federation, the umbrella association of the World Model Expo.
The World Model Soldier Federation as such does not contribute financially, but Bill and Fabio are putting together an auction of figures that are made and kindly donated by renowned artists. The revenues of that auction will go to us, and provide a substantial and much needed financial support for the event.
On the website wme2020.com (we kept the URL intact) you can find the figures that are ready.

There are also many others than stand up and offer a helping hand, mostly at the event itself. As I mentioned before, there are many jobs to fill; during the three days of the show itself, but also before,
during build up, and afterwards, during breaking down.

There is plenty of room to make a World Model Expo your own thing and believe me when I say that we have every intention to use that space.
The one aspect of the event that has limitations when it comes to your own interpretation is the contest.
The spirit and intention of the contest have to remain intact as it was initiated by Sheperd Paine. There is some room to manoeuvre and to implement own ideas, but people should realize that there are significant differences between the World Model Expo contest (or judged exhibition as they officially refer to it) and the SMC contest.

In 2021, we will finally see all our friends again, around gaming/competition tables. The next contests will reach an incredible high level for sure. What do you expect as far as the 2021 season is concerned?


First of all, I truly hope that the Covid-19 virus will be under control one way or the other and that travelling abroad, especially by plane, will be back to normal. The sooner the better.
And indeed, we all had time to make more models and paint more figures between two shows than ever before, so I expect full contest tables everywhere.
I doubt that from January 1, 2021 we can go back to normal, as if nothing has happened. I am not a virologist, so I have no idea what to expect. I keep my fingers crossed that there will be a vaccine or cure early next year. But I also keep in mind that these things might also take years.
Meanwhile we can only hope for the best, and make sure to have a plan B.

Is SMC a figure show with scale modelling or a scale modelling show with figures?


I think that SMC is a show that celebrates all sides of the hobby. Some are more present than others, but we are open to all things in miniature, really.

The first show, in 2007, was actually called Military Scale Model Challenge. As for the figures side of the show, the majority of the competition entries in the figure classes were 1/35th scale military stand-alone figures and some busts. How things have changed!
Later we dropped the word military from the show’s name, as most attending clubs had mixed interests and we did not want to exclude anyone from any aspect of the show, although I have to say that we still have a hard time getting substantially more aircraft modellers attending the event or entering the contest.

Over the years the number of figures entered in the contest grew steadily but it really exploded after 2015, when we moved from a 1-day show to a 2-day show. Margot played an important role in that, as she has promoted our show heavily during her trips to shows in France, Italy and Spain, and even in Russia. The transition to a 2-day show has also convinced many figure manufacturers from those
countries to attend SMC, so things have spiralled only upwards from there.

We sometimes receive comments from armour modellers saying that our show is dominated by figures.
I dare to disagree with that. Of course, in the contest the number of entered figures is larger than the number of entries of AFV’s, but you have consider that most figure painters finish more pieces in a year than a scale modeller ever would in the same time. But if we look at the statistics we see that there are less figure painters entering the contest than scale modellers for example.

Still a lot of scale model of all kind !

Also, the number of scale models in the contest is still growing year by year. Slowly, but steadily growing. There has never been a year with less scale models in the contest than the year before.
For figures the numbers fluctuate a bit. Without joking: if we have 1850 or 2000 pieces total in the contest in, the difference of 150 pieces is easily explained by the fact that 15 or 20 figure painters more or less have showed up that year, or maybe even one club from Italy did not come. Italian clubs tend to bring pieces from their members even if they are not personally attending the event.

We are also slowly seeing more plastic kit manufacturers attending SMC: Mirror Models, MiniArt, Meng and AFV Model are present for example, and the interest from other main stream brands is there too, and there will be even more at the World Model Expo, but the figure world is already well represented by almost all the big names like Pegaso, Big Child Creatives, Fer Miniatures, but also the smaller companies like Bouts de Brousse, Robot Rocket, and start-ups like Massive Miniatures are present as well.

If you go through the annual list of vendors that are present, there really is a good balance.
We have so many (smaller) manufacturer of resin kits, aftermarket stuff, accessories, tools and everything else you want, need or are interested in. I truly believe that no the show has such a good variety of trade stands.

How do you see the future for SMC?


Over the past few years I heard from quite a few people that they thought that the World Model Expo would be the end station, the icing on the cake, our “pièce de résistance” and that it would be the final chapter of SMC. Well let me tell you, it isn’t and it that was never the plan from the beginning.

The aim of SMC has always been to bring the global miniature world together in our modest city of Eindhoven and to make it “the place to be” for all scale modellers and figure painters.


We also wanted to make a difference with existing shows in our hobby. Even though we use the same ingredients that every other successful show uses: trade, clubs and a contest. However, with a little more thought and TLC you can lift an event like this to the next level, and I am proud to say that we have managed to do just that. We have created an event that many fellow hobbyists eagerly look out for every year and that is something I am very proud of.

Is it all perfect? No, but we keep learning and listen to ideas, comments and criticisms that we get and if we think it could work for the benefit of the show and for the people attending it, we try to implement them.

And most important: we never lay back and repeat the same thing year after year. That kind of laziness has killed too many top shows in the past and I do not intend to make the same mistakes. Maybe different mistakes though, who will say 😊

Cheese and wine at the SMC :)
We have come a long way with SMC and stopping now would be silly. There is still room for improvement. Besides, as long as my and Margot’s health allows it, and very important: as long as the team backs us up, we see no reason to call it quits.

Thanks

Chestnut Ink team : Thank you Robert for this very nice discussion, Hope to see you soon !